I was lucky enough early March to travel to Edinburgh with Improbotics to perform at the Edinburgh International Improv Festival. After the festival I took advantage of my geographical location to travel by train (and a ferry) to visit friends and family in Scotland and Ireland. Given recent events, and the restrictions currently in place, I’m very thankful I got the opportunity.
For the foreseeable there’s no shows on the horizon (obviously), but attempting a virtual session with Plus Support tonight and The Nursery on Monday; I admit I’m a doubter but have heard good things so willing to be converted. The rest of my time (aside from work work) is to be spent reading and in the watching of TV. Stay safe and keep washing those hands.
There’s been various reasons in 2019 I haven’t managed to write this blog as frequently as I would’ve liked. Finding the time was one of those reasons. If I had found some, I would’ve liked to mention some of the shows I was lucky enough to be involved in, which included a special show with Improbotics in Sweden as part of Improfest Gothenburg. I would’ve also written briefly about my regular trip to Broadstairs Folk Week (quite wet, outward train delayed by 2 hours, but I heard some great music), and of a trip to Kingsdown and the White Cliffs of Dover one weekend in the summer. But I didn’t find time, so this short summary and the photos below will have to suffice.
There’s already shows confirmed in 2020 I can tell you about: City Impro have a spot at the Phoenix Remix Live in January. Then in March, I’ll be performing with Improbotics as part of the Edinburgh International Improv Festival on Sunday 1st (tickets). And in May, City Impro have two shows running at the Brighton Fringe: Improv Deathmatch and Laugh Island.
- Reading: Moonglow, Michael Chabon
- Viewing: I’m very late to Inside No. 9, embarrassingly late
- Drinking: Bourbon
As I’ve mentioned I’ve some shows coming up. These require promotion on my part. I’ve always felt uncomfortable promoting shows at work above all. I’ve kept it to a minimum – promoting to a few at work but not through work. I know others who can do it without the awkwardness – and I’m not saying you shouldn’t promote shows at work – but it’s just whenever I do, I sense the spectre of David Brent hanging over me; and as I hand out flyers, to colleagues who’ve yet to tell me what they’re up to outside of work and then ask me if I would like to come along for a small fee, I hear Brent saying, ‘I’m an entertainer first and a boss second.’ So, I present to you the David Brent Syndrome. ‘Go and get the guitar’
I’ve a bunch of shows coming up and I’ve put them in a list:
- Sun 28th July: Today! Nursery House Party @ The Nursery Training Centre, 5:30pm – performing as part of The Nursery’s student ensemble Something Entirely Quenching;
- Sat 3rd August: Improbotics: Artificial Intelligence Improvisation @ Hen and Chickens, 9pm (Camden Fringe) – there’s a show on the Friday night too which I can’t make;
- Fri 9th, Sat 10th, Sun 11th August: City Impro: Laugh Island @ Canal Cafe Theatre, 7:30pm (Camden Fringe);
- Fri 16 August: Punderfest 2019, Hoopla @ The Miller, London Bridge, 7:30pm;
- Fri 9th, Sat 10, Fri 16, Sat 17 August: City Impro: Improv DeathMatch @ Aces and Eights, 10:15pm.
And that is the end of the list. Thanks. Maybe see you at a show.
I recently finished reading Hannah Fry’s book Hello World: How to Be Human In the Age of the Machine. It’s a clear, non-technical, myth deflating look at AI and the digital, similar to Tom Chatfield’s book How to Thrive in the Digital Age (2012) and the radio show The Digital Human, both of which I’ve extolled the virtues of.
Had some great shows with City Impro and Improbotics at Brighton Fringe; the majority of shows were sold out so that was an added bonus.
For Laugh Island one night, having been part of the couple who had “won”, we had our picture taken with the audience. The look on my face in the photo (included in those above) has been described as ‘gormlessly happy’ and, slightly less kindly, as having ‘a sad grin on my stupid face’. I’m using ‘being in character’ as my excuse for that expression.
The next bunch of shows are part of Camden Fringe: Improbotics at the Hen and Chickens (Fri 2nd and Sat 3rd August, 9pm); Laugh Island at the Canal Cafe Theatre (Fri 9th to Sun 11th, 7:30pm); and Improv Death Match at Aces and Eights (Fri 9th, Sat 10th and Fri 16th, Sat 17th, 10:15pm).
Reading: The Sellout, Paul Beatty
After a good time was had last year, I’m off to Brighton Fringe again.
I have seen Bob Dylan live. I wasn’t sure at first. I remembered seeing him perhaps at Wembley Stadium, because I had a vague memory of talking with my friend Tim as we made our way out of the gig. But I thought this might have been a dream, a false memory. But no, I was there. I found the ticket stub:
Sur Les Docks – Droit Devant
After our show at the Faversham Fringe (a good fun show – photos as proof follow this) I had an hour to kill before my train back to London. So I went in the first pub with loud music coming from it.
This Friday evening Plus Support are taking an hour long show – Paversham! – to The Arden Theatre as part of Faversham Fringe.
It won’t be the first time I’ve been to The Arden Theatre but it will be the first time I’ve performed there. Looking forward to it. Tickets.
Reading: Golden Hill, Francis Spufford