In every single one of these cases what has occurred is that those in control of a company have made an active choice to pick the machine over the human – and such machines were largely created to provide these owners with just this choice. The robots did not voice any opinion in the matter. To put it more plainly: the burger flipping robot does not want to replace any human workers (nor for that matter does it want to not replace human workers) because the burger flipping robot does not want anything. The robots aren’t the problem, the bosses are – Librarian Shipwreck
There was an article on AI in last week’s Sunday Times with the headline Robot wars: if we can’t beat them, let’s become them. It’s behind a paywall but some excerpts:
The truth is that Bob, Alice and Tay [AI programs) were straws in a wind that could, one day soon, blow humans off the planet
New machines could soon wipe out millions of jobs
As one technologist put it to me: “You can be confident your laptop isn’t going to strangle you, but it might with the help of your fridge.” We already know what the bad bots can do to our bank accounts
The article carries on in this vein. The writer, Brian Appleyard, does briefly offer up a counter view through Luciano Floridi but concludes:
Maybe he’s right. Or maybe one day soon our cars and fridges or future Bobs, Alices and Tays, talking gibberish, hating feminists and supporting Hitler, will decide that we’re just getting in the way
This type of article (it just so happens to be the most recent one I’ve read, though it is probably the guiltiest) only leads to what Tom Chatfield – a writer whose even handedness when writing about technology I really like – calls the dead end of human vs machine panic. It’s a dead end because it doesn’t encourage conversation, or reasoning, it just serves to set people to anxiety and worry.
In the Financial Times (I know, I know) yesterday there was an article headlined Drama is struggling to match the reality of Donald Trump. It’s behind a paywall unfortunately, but it discusses, albeit briefly, how “satire, theatre and TV shows are challenged with the restless US news agenda”.