Going For A Song: ‘Call it Dreaming’

Iron & Wine – Call it Dreaming

After an album (2013’s Ghost on Ghost) and a couple of collaboration albums (Sing Into My Mouth and Love Letter For Fire) which left me nonplussed, I’m looking forward to the release of the new Iron & Wine album Beast Epic, after hearing ‘Call it Dreaming’, the first song taken from it.

The song, for me, encapsulates what Iron & Wine do, which is to create this intersection between a world we recognise and a world summoned up by the words of Sam Beam and the music of the band.


Going For A Song: ‘Maps’

Yeah Yeah Yeahs – Maps

I suppose saying I believe this single (UK no. 26, Feb 2004) to be up there with any of the great love songs released in the twentieth century and possibly one of the best released in the first decade of the twenty-first century could be considered quite a claim. And if I hadn’t just thought this this morning I would like to think I could go some way to explain why I believe this is; but then again even if I did have the time and struggled to explain I’d most likely be compelled to say it unsubstantiated. And it is for this reason at least why I think this song is so good.

Going For A Song: No Scrubs

TLC – ‘No Scrubs’

This song used to be on the radio a lot in the late 90s. Where I worked during this period the radio, tuned to Capital FM, was on throughout the day so I heard it quite a bit. At the time, being, let’s say concentrated in my musical tastes, I paid it only a mere passing attention, and this was done, I seem to recall, in perhaps a slightly ironical self-conscious way. But through reading the chapter on R&B in Yeah Yeah Yeah (what can I say? Bob Stanley’s book has given me a lot to think and write about for this blog) I returned to it and have, alongside Whitney Houston’s Rodney Jerkins produced ‘It’s Not Alright But It’s Ok’ (another fantastic song – this one completely passed me by), been listening to it a lot the last few weeks. And I’ve listened with vague notions of exploring, and getting in to, a whole genre, period of pop music that I completely bypassed. I’m not sure if it works like that, but for now these songs seem as exciting and bold (I was thinking of using the word fresh here, but as a choice it’s maybe ill advised for me) as they might have seemed when they were released; and this is maybe, due in no small part, to the fact I missed them the first time around.