Fontaines D.C. – Big
I nearly overthought this. I heard ‘Big’ and my initial reaction was with gut, heart and limbs. Then my mistake – searching for information, seeing photos; the initial reaction became, as I listened to the album Dogrel, an inability to appreciate it for what it is. And what is it? A debut album by a group of young men: a mish-mash of styles, of bravado and openness, intelligent lyrics to songs that belong on a debut.
But I’d been here before. Bands have come and gone, unable to fulfil what I hope for them – it is wisdom, and it’s not wisdom, it’s something negative, whatever that might be. But, with persistence, listening, not fretting about what I think I know, I came to a halfway state: gut, heart and limbs in play, tempered slightly, but not too much as I claim Dogrel as the perfect debut album.
British Sea Power – Carrion
Reading of a new album released earlier this year by British Sea Power (it made the Quietus’s Best Albums of 2017 Thus Far) I was reminded how very excited about the band I was when they released their debut album, The Decline of British Sea Power, in 2003. At the time I thought it warranted inclusion on the list of great debut albums. It was one of the best I had heard. But the Quietus review also reminded me how somehow they fell off my radar just around the time of their third album, Do You Like Rock Music?.
So this week I’ve been re-listening to The Decline of British Sea Power. And I’m pleased to say it’s everything I remember. Would I still claim it as one of the great debut albums? Yes. That more people don’t think the same I can only attribute to the album inhabiting a space of its own when it was released; it never defined a moment like The Stone Roses, to pick one example, did. It deserves to be thought of as such though.
Their new album is their eighth I read. I’m going to catch up.